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Past, Present, & Future

For thirteen of the last fourteen days, I have paddled. No complaining mind you. Every morning, as the alarm beeped at 6:45, I rolled out of bed, rubbed the sleep from my eyes, and reminded myself how lucky I am.

I get to kayak today. I’m gonna get paid to kayak.

Something at our genetic and biological level embraces kayaking. Our brains float in just enough liquid to roll with the flow. A roll and flow that kayaking mimics perfectly. Sit down in the seat, push yourself away from shore, and feel your heart slow down, your spirit lift, your mind breath. A soothing tonic. There is no road rage in a kayak. How can there be?

Here, inches above the water, the world makes sense. The tide ebbs and flows. You move with it, against it. Learn to worship the wind one moment and curse it the next. No other medium of travel brings you as close to the natural world. Marvel at the sea lions until you realize, they’re coming at you. Too close, too much. And it’s gone. The moment evaporating like a mist in the sun. Above all, kayaking forces you to be present. To exist in that moment and none other. There is no multi tasking. As the world demands that our hands be doing two things at once, our minds pulled in four directions simultaneously, the kayak demands our full, undivided attention.

But today is a day to see the whole 65 mile bay aboard a vessel that goes faster, much faster. Traveling by boat feels foreign. The shoreline goes by as a blur. From the top of the 60-foot catamaran, a level of intimacy is lost. A humpback blows, but the sound is swallowed by the engines. Kayaking is macro photography. On your hands and knees, the lens inches from the subject. If Edward Abbey had come to Glacier Bay he’d write about motorized vessels the way he wrote about cars in his precious Arches.

“Crawl on your hands and knees, and maybe, just maybe, you’ll see something.”
“Paddle 20-miles a day, until your fingers are cracked and swollen. And maybe, just maybe, you’ll see something.”

On the Baranof Wind is a melting pot of humanity. Americans, Canadians, Indians, Chinese. Young and old. Couples and families. Retirees and trampers. “Everyone deserves to see this place,” I think.

Along for the ride is a guy named Lucas, working in Gustavus for the summer by way of New York and Portland. A wooden pendent hangs by a piece of rope around his neck. His long hair pulled back, a pencil shoved in the knot to keep it under control. In his eyes I see young love. The spell that Alaska has cast on thousands of young men and women throughout the years. That glint, the Chris McCandless gleam. The spark the wants to climb every mountain, fjord every river, climb every tree, love every moment of the marvelous gift called life. In his hands are a video camera and boom mic. He’s here not just to document the bay, but the people onboard. It’s not lost on him that there’s no small irony to be found under Glacier Bay’s erratics. Those of European descent jostling and clamoring for a view of the Huna Tlingit homeland. The homeland that was set aside without their consent. The homeland that had survived four glaciations, their breadbasket set aside for the wonderment of the conquistadors.

Lucas’ idea makes me squirm. Maybe that’s the point. As we move up into the bay I remind myself that, as much as I consider this my home, it was never mine. I’m the visitor. The wanderer, the tramp, the (gasp!) immigrant. Love it as if it is yours. Treasure it.  After years of animosity and distrust, the Park Service and the Huna Tlingit seem to have reached an understanding. Gull eggs are once again being harvested, a traditional long house now stands in Bartlett Cove, to be opened on August 25th, the 100th birthday of the Park Service.

“How interesting,” Brittney says as we talk on the back deck, “that the day the Huna Tlingit’s come home is on the park service’s birthday.”

I’d never thought about that. Was that respectful? Appropriate? Does it paint the park service as the heroes, a “look how far we’ve come!” sort of thing? Am I thinking about this too hard? How easy it is to look up from the seat of your kayak and criticize those above. After all, with no park I’m not here. It’s easy to throw stones until you realize that you’re taking the rocks out from under your own feet. 1500 people are going to be at the unveiling on August 25th. I’ll probably grab a kayak, bob in the middle of the cove to watch the proceedings. Seems an appropriate place.

Three young boys come onto the deck led by Mom. They’re between 5 and 9 years old, dressed in matching royal blue rain jackets. One has a pair of binoculars and scans the shoreline near Tlingit Point. The water is glass, the mountains visible. The bay feels alive, drinking sunbeams. Perhaps it matters less where we’ve been and more where we’re going. Too much has happened in the last two hundred years. Too many mistakes. Assimilation, sea otter hunts, greenhouse gases. Trying to rebuild it seems too much, an impossible task. Like trying to recreate the bay before the Grand Pacific came charging down and sent the Huna across Icy Strait. Maybe that’s the lesson this ever changing land is teaching. That change is inevitable and it’s what we do with those irreversible changes that matters. Let’s celebrate the partnership of the park service and Huna Tlingit. Together maybe this place can change lives for the next 100 years. Thousands of impressionable brothers in matching rain jackets being molded by the glacier the way the mountains and inlets are.

I lay on the top deck of the boat. The sun is beating down on me, there’s just enough of a windbreak to block the worst of the headwind. Even with my eyes close I know right where we are. Just north of Geikie Inlet which John Muir named for a scientist buddy. I love how well I’ve gotten to know this bay. An old friend with more mysteries and stories than I’ll ever discover. It can all disappear at the whim of the glaciers. I like that.

The boat turns sharply. I prop myself up on my elbows and look toward the shoreline. Hanging in the air is the vapor of a blow. I get up and lean against the railing, for there is no such thing as too many whales. Seems odd that we’re turning to watch a humpback. We’ve passed two dozen today and time is running short.

Two more blows in rapid succession. Even from a distance I know they’re not humpbacks. I can’t say how. But after ten years of chasing them, of scanning every bay, inlet, cove, and fjord for them, I can feel it more than see it. A scimitar shaped dorsal breaks the water, than another, and another. My heart rate quickens, my vision narrowing. Are they always going to do this to me? I know any minute now the captain will make the announcement. That the holy grail of marine life is two hundred yards ahead. Justifiably there will be a stampede as everyone strains for a glimpse of the Orcas. Everyone deserves to see this place and the lords of the ocean in their true and wild home. But for a moment I savor it, for a moment it’s just me and them. Made possible by this boat, by this place. May it always change but always stay the same.

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Silent Nights in Robson Bight

IMG_5288It starts with the flutter of a Hemlock bough, almost imperceptible. It registers for the briefest moment and falls into some unlabeled file in the back of the mind. It’s subtle, quiet, it’s how every storm begins. Now two hours later the waters of Blackney are streaked with white caps and the young hemlock bends at the waist. Harlequin ducks make a desperate gambit from one cove to the other, riding breakers two to three times bigger than they are. They’re tough little things, impervious to the weather. Whatever is in the next cove over, I hope it’s worth it for them.
After a week and a half of sun, the clouds feel intrusive, cutting into our precious allotment of daylight.

The roar of the ocean feels deafening after a week of calm seas. A week that gave us the chance to return to the orca’s holy land, Robson Bight. On the map, Robson Bight appears as just a little divot in the Vancouver Island shoreline, unassuming and natural. But it’s here, in the back of the bight, where Erich Hoyt camped in the 70s. Fearless and casual, he’d sit in his row boat in the dead of night, floating on the tide, waiting for the orcas to swim by. As we cruise across the mouth of the bight for the site of the hydrophone on the east side, I try to imagine how I’d feel. What would it be like, to float on blackness, thin paneled wood between me, the ocean, and 15 behemoths? After hours with whales, many of them with nothing but fiberglass separating us, I’m not sure I’m ready to surrender my primary sense when we meet.

The site of the hydrophone in Robson Bight is on a steep cliff that drops straight into the ocean. It doesn’t descriminate, picking up the sound of tugs as soon as they clear Weynton Passage some five miles to the west. At Orca Lab we call it the Critical Point hydrophone. After the whales enter through Queen Charlotte Strait, it is on this end of the bight that they choose to either continue east into the strait, or turn back to the west toward the lab and open ocean.

But now, in the quiet stillness, nothing seems critical or pressing. Brittney and I relay the car batteries up the cliffside. Critical Point is the most vital but also the most susceptible hydrophone in the array. It has the widest range, but its solar panels are draped in shadow for most of the winter by the massive mountains at the back of the bight. For five nights we’ve been nudged awake by the unmistakable chirps of a hydrophone about to run out of power. Invariably it’s Critical Point that needs to be extinguished, leaving us sonically blind in most of the strait.

It’s easy enough to swap the batteries and install the new ones, all one needs is a wrench and an understanding that touching positive and negative terminals will lead to the shock of your life and possibly frayed eyebrows. Batteries firmly in place, I call Paul.

“Where are you now?” He asks, you can always hear a smile in his voice.

I grin back and fall into the moss putting my feet up on the rocks, drinking in Robson Bight, the rays of sun cutting through the mountains, anointing them with breathtaking halos.

“Just on the Critical Point cliff, soaking in the sun.” The honor and novelty of being here, of working for the guy that wrote the book on Orca behavior is never lost on me. This is so cool.

An hour later we’re riding the ebbing tide to the west, I’ve memorized the strait like some learn city blocks. There’s the cliff, always dead heads on the ebb coming around the corner. The Sophia’s, reef off the west end. Nice deep water off Cracroft Point.

We round the corner into Blackney Pass, the water churning as it rushes for the open maws of Blackfish Sound and Queen Charlotte Strait. Miniature whirlpools splatter the entrance, a heavy tide rip in the middle. I can count on one hand the number of times I’ve seen Blackney in a state that I’d be willing to kayak. The water never rests.

Gulls, murres, guillemots, and murrelets manipulate Blackney’s upwelling, dive bombing for forage fish pulled to the surface. Off to the right is Barontet Passage, a long slender channel that runs east on the northern end of Cracroft. The resident orcas never go that way, but occasionally the transients – what was that?

Without bothering to slow down I yank the wheel to the right, turning ninety degrees, the bow pointing toward the opening of Baronet. A hundred yards later I slow down. Something caught my eye. Something bigger than a sea lion. I think it was just a humpback, there’s been a couple hanging out between Parson and Cracroft.

There’s a dorsal fin.

“It’s an orca.” My heart stops, resets, and accelerates. Brittney’s already digging for the 400mm lens. I don’t mean to say it with such intensity, but I can’t help it. Eight years later, orcas still do this to me. May they always.

I turn the boat so they’re on our port side. The boat we’re in is only about ten feet long and when you sit, you’re barely four feet above the surface. You may as well be in Erich Hoyt’s row boat. And on the rambunctious currents of Blackney, you couldn’t ask for a worse platform to photograph.

“Can’t you keep it level?” Brittney asks as the orcas-four in all-break the surface.

The group heads the same direction we’ve just come from. I know we’re a land based research facility, but screw it. When is this going to happen again? We follow respectfully, years on the whale watch boats paying off, the camera whirs to life with every surfacing. I dig in my pocket, and one hand on the wheel, both eyes looking out the window, call Paul again.

“Hey Paul, guess what we found.”

I hear the smile in his voice as we round Cracroft Point and once again, travel east into the strait.

Escape From Hanson Island

For a week the weather services proclaimed that Wednesday, April 15th would be calm, clear, and peaceful. It would be a fitting and tranquil journey from the lab to Alert Bay, a promising start to what would be a week long expedition that would eventually lead to Gustavus, Alaska. On Tuesday night I checked the weather one final time, more out of sentimentalism than anything else, and saw Johnstone Strait caked in red. “30 knot southeasterly winds,” it boldly proclaimed. I rolled my eyes and glanced out the window, the cedar boughs were fluttering in a benign and apathetic way, I shut the curtains and crawled under the covers.

The next morning we awoke to the windows rattling, though the rain showed merciful restraint. We packed and began to debate tersely the best strategy for placing a bulky rabbit cage, a squirming cat, and countless bags and boxes unto the deck of a pitching boat.

An hour later the June Cove pulled around the corner, bobbing in the churning bathtub that was Blackfish Sound. We threw our belongings unceremoniously aboard with rabbit and cat perched atop the pile, and watched the lab fade from view. In the stress and rush to load the boat before the waves could put it on the rocks, there was little time for nostalgia and farewells. Instead of casting a final look at the lab deck, where I had been bombarded by sun, rain, and a rotating cast of marine life, I diligently jabbed a long two by four into the rocks as the bow of the boat slowly turned toward open water.

The water deepened and waves broke over the bow, foam and white caps littering the ocean. Paul peers through the blurred windshield as we hit the crest of a wave and slide down, the screech of nails emanates from Penny the rabbits cage as she slides back and forth. Completely unperturbed, she continuously tries to stand on her hind legs as the boat rolls, dead set on glancing out the window.

Paul glances over at where I stand, staring out the window into the crashing waves, willing the boat forward. He catches my eye and grins, “the escape from Hanson Island!” he shouts and the tension breaks.

Perhaps it was best like this. No tears, no long, lingering hugs. Leaving Hanson Island is removing a band aid, it’s best to just rip it off. Thirty minutes later we reached the relative peace of the dock, the first of four boat rides behind us. Again there would be no lingering as Paul needed to rush back to the lab before the tide ebbed too far, exposing the June Cove to a night of gale force winds.

And just like that, it was done. We stood where we had eight months ago, with an overstuffed Nissan Pathfinder and a pair of pets staring confusedly out the window while the wind buffeted us.

To our immense relief, our reliable Pathfinder sputtered, coughed, and after several heart stopping seconds, roared to life and we wove along the shoreline to Paul and Helena’s home for the night.

We curled up in the lap of luxury. Hot baths, ice cream, cold beer, electric heat, baseball, it may as well have been the Ritz Carlton hotel for all we cared. But it was hard not glance out the massive windows down Johnstone Strait as the light slowly faded, the outline of Hanson Island still visible and know that it would be months before we were forced to contend with the beautiful inconveniences that only life on an island can bring.

Perhaps the weirdest moment came when we finally crawled into bed. The room was as silent as a tomb and it was completely unsettling. For months we’d been passively listening through the night as the hydrophones reported the sounds of the ocean. The rushing water of a gale, the crackle of a dragging hydrophone, the low pitched growl of a tug, the whistles of dolphins, and the call of an orca that sent you flying from the covers. Now it was all gone, the silence leaving a strange ringing in our ears.

Rubbing Beach Ideologies

The water’s perfect, with the aqua green reflection off Vancouver Island’s mountains that I love. It’s as calm as a puddle, the sun shining high above in a cloudless sky. In the past couple weeks, the sun has finally begun to radiate a warmth that can be felt through your jacket. It’s not the benign passive glow of January but the first hint of summer’s rays, and it feels euphoric. It streams through the back of the boat, warming our backs as we glide down Johnstone Strait towards the mammoth mountains above Robson bight that stand like kings on their thrones. The strait’s empty despite the summery weather and our boat is nothing more than a toy in a massive bathtub.

We angle across the strait, the bow pointed past the bight towards the rubbing beaches. Fuel levels running the cameras needed to be checked, and it behoves one to never pass up the chance to visit the orca’s holy place. But as we pass the mouth of Robson Bight, something makes me slide the boat into neutral. Many somethings are breaking the surface of the water, like ink blots on a clean sheet of paper, disappearing and reemerging. The disturbances are far too small to be the orcas we secretly prayed we’d come across, but it was the next best thing. The pod of dolphins meanders slowly across the strait toward Swaine Point on Cracroft Island and we fall into line on the left hand side of the massive group that easily numbers 100.

Brittney stands on the stern of the boat, one hand gripping the vessel, the other clamped on the camera. In response to a signal we cannot here, the mass of dolphins swerve left, pointing west, pointing towards us. I slide the boat back into neutral and turn the ignition, at the mercy of the currents we turn perpendicular to them and wait. A flash of white catches my eye as like a ghost, the first dolphin glides underneath us, his body turned sideways, an invisible eye staring up at me.

From behind me I hear Brittney gasp in awe as the flood surrounds us. The camera falls limply to her side, how do you even begin to capture this? Some surface calmly, their bodies barely breaking the surface, while others rocket clear of the ocean seeming to hover frozen in time for the briefest moment before slipping smoothly back beneath the waves with barely a splash. Dozens cruise beneath us, the calm seas and clear water of early spring enabling us see dozens of feet below as the torpedoes shoot past. It takes nearly five minutes for all of them to go by, the sounds of their blows and splashes rapidly fading as we bob in their chop still under the spell.

The boy in me tells me to start the engine, race ahead of them, and do it again. But what a insult to the gift we’d been given, it was good, but not enough, we need more. How human, selfish. I push the thought out of my head and we continue the other way, past the bight and minutes later, land with a soft crunch, land at the rubbing beach. With no idea when our next trip here will be, we linger on the beach, feeling the pebbles slide and crunch beneath us, coaxing the few rays of light that penetrate the trees onto our faces. With just a week left before our return to civilization, our imminent return continues to dominant our conversations.

“There’s some things I miss,” I admit, “unlimited bandwidth, Alaskan IPA, hot showers, other people… but I don’t, crave these things. It’s funny how many luxuries we begin to assume are necessities.”

“How many people think they can’t live without texting?” Brittney asks, “or hot running water, or electric heat, or indoor plumbing?”

“It’s a state of mind, it’s all we know, we’ve never lived without so we conclude that they’re essential. It makes sense.”

“But we clearly don’t need them.”

“We were willing to let go.”

“Think some people can’t?”

“I think they can… I just don’t think they want to. It took me awhile,” I say, “I’ve learned to sit quietly here, that my brain doesn’t have to be constantly entertained by outside influences, like mindlessly scrolling through Facebook, or netflix. That sitting on the rocks watching the tide ebb can be enough, it’s almost meditative.”

We sit in silence for a moment, “I still scroll through Facebook mindlessly,” I admit.

She laughs, “I know.”

Across the strait on Cracroft Island the sound of a saw floats across the strait, a sickening crack, and a boom as another tree meets its’ end, the clearcut steadily grows, the gash opening wider, the runoff like blood flowing downhill into the ocean.

We fall back into silence, the sound of machinery dominating our ears, the incessant hum of a tug motoring slowly westward becoming prominent. Suddenly the land feels too crowded, we’re hemmed in by people, a tug and a tree crew is all it takes.

“It’s funny,” I point toward the tug and the clearcut, “this feels full now.”

I pause and look instead down the beach where everything is pure, there are no right angles here, no perfect circles. For a moment I want to run into the woods, into the last unlogged watershed on east Vancouver Island and disappear. To hide out till summer, with nothing more to do than watch the orcas swim by.

In the Holy of Holies

The boat slides into the rocks and triggers a memory. Not a visual one, or olfactory, but auditory. The sound of pebbles racking against the hull of the boat almost makes me turn around, half expecting to see a dorsal fin gliding across the water behind us. Both boat and orca move the smooth, tiny rocks of this beach sound the same way. But today we were alone, just the two of us cautiously approaching the main rubbing beach of the Northern Resident orcas.

I step to the stern of the boat and look back over the water. It’s weird to see for the first time a place I feel I already know so well. High atop an old weathered tree hangs a white box looking for all the world like a security camera. For a summer that was my keyhole. And I would press my eye against it as close as I could, drinking in the scene. But now, for just an afternoon, I got to stand here and see and smell and feel a piece of orca lore. If the bight is hallowed ground, this is the holy holies.

Twenty minutes east of Robson Bight as the orca swims lays this beach where, for all eternity as far as we know, the orcas have come. This beach, an outlier itself in a land of jagged rocks, steep cliffs, and deep water. The beach is smooth and gradual, the reflection of the trees turning the water turquoise, like some tropical paradise. In the shallows, sometimes with barely enough water to cover them, the whales come and rub vigorously on the smooth, quarter sized pebbles that compose the beach.

I step up and over the top of the boat and onto the bow, the waves rocking the boat gently against the shoreline, emitting the sound of rushing pebbles with every crest. I hop lightly off the bow and feel them crunch and slide under my feet. I step clear of the surf and see my footprints imprinted in the rocks. Damning evidence of my intrusion into this mystical place. I lay on the beach and, like the orcas, begin to squirm and roll back and forth on the pebbles, their sounds filling my ears. If it’s good enough for them it’s good enough to me. Brittney laughs and rolls her eyes as she steps gently from the boat. We talk in hushed voices, as if we’ve just entered a church, and prod slowly up the shore.

We had a reason to be here. The rubbing beaches are strictly closed off to the public, giving the orcas their own private sanctuary much like Robson Bight. But someone had to pull the batteries of the long defunct rubbing beach hydrophone, the victim of a fifty knot storm in October that had torn the cable free. Without this premise we’d go nowhere near this place, even in December, when the orcas hadn’t neared the beach in a month, it felt almost taboo to stand here.

A steep cliff makes up one edge of the beach and stretches out to a point into Johnstone Strait. I boulder up and walk to the edge, the bottom still visible even on this massive 17.1 foot high tide. I find the batteries and the second camera, the one that looks straight down into the water off the cliff face where the orcas would cruise right past just before they reached the pebbles. Like at Robson Bight I see them in my minds eye, cruising peacefully past, bound for their favorite spot in the strait. We get the batteries off the cliff and perch on a massive log washed against the shoreline. We dig out some food and stare out at the water, this unassuming little stretch of earth that means so much. Camera in hand I snap pictures while I eat, hoping to capture as much of it as possible and failing to do justice. It’s tough to think about leaving so soon, and I a great longing fills me to see the whales here, just once while I hide unseen in the bushes. It’s a dream that will have to remain a dream, and I look up at the camera, thankful that it gives me the opportunity to enjoy it from a distance. We climb into the boat and gently push back into the water, gliding across the brilliant blue/green waves, bound for the gray surf of the straight, the southeasterly starting to turn up the current.

Before we go home there’s one more place I want to find, and we shoot across Johnstone Straight, heading for Cracroft Island. As we reach the shore I slow down and and we move slowly west toward Hanson Island. I see the hollow wooden skeletons of a camp. Structures with no roofs or walls, tiny wooden platforms and benches on the rocks. This is it. I stop and look at this unassuming little kayak camp. “This is my birthplace,” I thought.

It was here, seven years ago that I had visited, kayaked, and fallen in love with this place. Straining my eyes for that elusive dorsal fin that has dictated so much of my life. I look behind me and remember the A36s, cruising west past our camp, oblivious to the life they were altering forever with every surface, every breath. A part of me wants to find a place to land, to step ashore here and crouch where I did those nights when the A4s swam by, allowing me to hear but not see. But the wind has other ideas, as does the quickly fading sun of the second shortest day of the year. We pick up speed and continue west, picking our way through the deadheads and kelp, tracing the footprints of the orcas that would be back to chase the salmon. Like they have every summer. For all eternity.

On Hallowed Ground

Traveling south from the lab and through the tiny bottleneck that is Blackney Entrance leads to the wide open expanse of Johnstone Strait. After almost four months and countless trips to Cracroft Point, the image springs to mind instantly. The high peaks of Vancouver Island casting a deep green shadow onto the water, turning it the color of jade as you approach the Vancouver shoreline. The mountain range seems to stretch on forever to the East down the strait, looming over the water with their mighty shadows extinguishing what little winter sun there is. It had been seven years since I had been in the strait past the edge of Cracroft Island. Yet I could still remember the shapes and curves of the shoreline.

Back home I would habitually pull out maps and trace the expanse of the strait, and mouth the names of places I hadn’t seen in years. Boat Bay, the Cliff, Robson Bight, the Rubbing Beaches. The bight and the beaches held a special lure, the forbidden fruit of the strait where no one was allowed save for the whales and the fishing boats. Locations I had listened to through headphones for hours but never saw. The bight is now an ecological reserve, set aside as critical habitat for the northern Residents, the boundaries expanding east to encompass the whales’ rubbing beaches. The maps show the bight as a subtle nick in the Vancouver Island shoreline. It’s as if the strait scooped out a chunk of the island with an ice cream scoop, leaving a crescent shaped divot. In the back of the bight sits the headwaters of the salmon rich Tsitika River.

From Cracroft Point, the lab’s out camp, you can almost make out the bight down the strait, straining your eyes through the glare of the sun, the small bay camouflaged by the steep slopes of the St. John, Tsitika, and Derby mountains, standing like sentinels, the guardians of the bay. It is in this unassuming bit of water, that so much of our understanding and knowledge of orcas has arisen. It is here that they have rested, played, and hunted for untold generations. The place holds an uncontrollable draw, a magnetic attraction pulling me in.

But of course, it is all closed off. Which, is probably for the best. And though the commercial fishing boats are still aloud to clog the bight as the sockeye run every year, it gives the whales at least some semblance of escape and privacy from those of us that perhaps love them too much. But there is no law against hydrophones, and on the east side of the bight hangs a crucial piece of Orca Lab’s research; the Critical Point hydrophone. Anything that makes a sound west of the hydrophone in Johnstone Strait is picked up and transmitted through a thin cord of wire, piping back to the lab the calls of orca, dolphins, and humpbacks as well as the drone of barges, fishing boats, and the abominable log tows.

As the days get shorter and the clouds thicker, the solar panels that power the hydrophones throughout the network begin to sputter. The batteries stationed are asked to supply more of the power each day until finally, they too begin to crack under the increased workload. Critical Point, shrouded in shade most of the time thanks to the mountains, was the first to begin to protest. Clicks and oscillations eventually giving way to hours of pure static, especially at night. The occasionally sunny day would give the batteries a brief reprieve but the only long term solution, was to replace them.

So last week, when Brittney and I came to town, we were met on the dock by Paul. Bouncing out of the car with his usually vigor, he excitedly announced that today was as good as any to take the one hour run from Alert Bay to the bight and replace the batteries. My chance to set foot in the hallowed ground had come and we climbed back into the minuscule boat thirty minutes later, prepared to battle an ebbing tide down the strait.

The sun broke through the clouds as we entered the bight, brilliant rays of sunshine stabbing through the gaps, illuminating the dark green of the mountain sides. The water becoming that brilliant jade on one side, sapphire blue on the other. Paul brought the boat to rest near the rocks on the far side and I clambered out, soaking in the beauty and silence. It was easy to see why the orcas loved it here so much. The water was calm and the bight would seem to funnel the fish toward the mouth of the river, giving them ample opportunity to catch dinner. The steep rock face we stood on fell directly into the ocean with no gradient. One step to many and you plunge feet down into the frigid waters of the channel. In my minds eye I saw an orca pass an arms length from the rocks, it’s massive body gyrating majestically feet below the surface as it cruised past, bound for the rubbing beaches.

It was, as I’d been told, “just trees and rocks and water.” But my prior knowledge of what lived here, what had happened here, made magic spring from the trees, rocks, and water. It was here that Erich Hoyt and his team had first dove with the orcas. Where Robin Morton had first filmed them rubbing their bodies on the smooth pebbles of the beaches. In these waters the A36s had swam during those nights when they kept me up in the lab, their calls echoing off these very rocks and into the hydrophone between my feet. And now, even if just for an afternoon devoid of orcas, I got to stand on this hallowed ground, staring up at the massive mountains and experience it all for myself.