It starts with dolphins. They giggle like jackals, punctuated by the dull thuds of their echolocation. I shut my eyes and let the sounds of dolphins, crashing waves, and 30 knot winds rock me back to sleep. Moments later my eyes open. I sit up, Brittney’s feet swing out of the bed. The dolphins aren’t alone. The hee-haw of a donkey floats through the speaker that sits on the shelf just above our bed. G clan’s back.
“My turn,” Brittney mutters like the mother of a new born and staggers down the stairs, out the door, and to the lab. Moments later her voice comes out of the speaker as she begins the recording, mixing with the sounds of swirling water and cackling dolphins.
“This is Brittney, this is Hanson Island 2015, digital recording number…” my head hits the pillow and I drift away.
For the next few hours I fade in and out, coming to just long enough to see Brittney isn’t back and that the whales are still calling. They’re faint, maddeningly faint, but there. Three hours after they first pulled Brittney from the bed I rise. It’s a moonless December night with the clouds building for another low front, 7 am and still pitch black.
Brittney takes little convincing to go back to bed. She’s been at it since four and the whales seem to have barely moved. Their voices still distant in Johnstone Strait, at the limits of the Critical Point hydrophone. What compelled them to sit in one place and talk about it for so long? I wrap my sweater around me and feel the lab vibrate as another gust hits the south facing windows. I wipe the sleep from my eyes and brace myself as another tug rolls into range. The sound grows to a deafening roar, the orca’s voices extinguished. Feeling guilty I pull the headphones off and rub the headache emerging from my temple. If only they had such luxury.
The tug moves on and they’re still there. G clan somebody. I31s perhaps? Even Paul and Helena can’t say for sure. These late nights remind me of summer. When late night recording sessions were the norm rather than the exception. It’s warmer in July though. And the sun’s there to keep you company starting at about four in the morning. I am the night shift orca DJ, playing the hits of the A, G, and R clan on 92.1 the WHALE.
At long last the darkness lightens a shade, the whales almost inaudible, Vancouver Island distinguishable as a darker shade of black against a slowly lightening sky. The sun finds a gap and a splash of color transforms the world from black and grey. It’s all worth it. The water and mountains light up like ta water color and the orca’s go quiet. Maybe they too are watching the sun rise.
The sunrise doesn’t last long, extinguished by another fog bank rolling in. Waves topped with whitecaps intensify, the rain strikes like pebbles. Twenty minutes with no calls, than twenty-five, thirty, are they gone? A couple summers ago the A36s played a horrible trick on me, sitting silent in Robson Bight until I would end the recording before letting out a whispered giggle, letting me know that they were still awake and I should be too.
The I31s don’t have their sense of humor though. I end the recording and walk back to the cabin. The tree tops swirl and the waves thunder into the rocks twenty feet away on the high tide. My job, my office, my life. And to think a few years ago I was ready to work in a lab, studying herring bioenergetics. Let someone else wear the labcoat. I’ll go to the office in slippers and flannel.