There is a place on the island where you can see history. Feel it travel through your feet, up your spine, sending tingles down your arms. You travel back a thousand years in the blink of an eye and remained rooted hundreds of years before Columbus even considered leaving. And yet all is quiet and still, the words whispered. The story and message imagined and interpreted within. The walk to the time machine is a short one. Winding through stands of rebellious young Hemlocks, shrouded in the shade of their brothers above, crawling year by year upward. I’ll be long gone by the time they see the sun. Here and there a strand of blue is wrapped around a tree, the words, “culturally modified” scrawled across it. They are not the largest, but they are the most important. The historical importance of these trees to the Namgis first nations people has saved the island from logging, a tiny shrine to the old growth stripped by the mountainside on Vancouver Island just a few miles away.
For all her size you don’t see her until you hop the stream, round the final corner, and the shadow towers above you. 12 feet in diameter, hundreds of feet high, she is more impressive than any building any architect could create. The land around her base is bare, her children, teenage trees, shurbs, and huckleberry rise up nearby in the protective shadow of her arms. All is still, the silence so complete you can hear mosquitoes on the other side of the clearing. It’s like walking into a church, you speak in whispers, move quietly, sit down silently. Holier than any church man could conceive. Gods first and true temple, standing, waiting to be worshiped in for a mellinium. Grandma cedar is the pulpit the trees her congregation, it would be arrogant to call us angels.
Everyone I take to see her has the same reaction. Visitors, cameraman, authors, journalists, stare upwards, mouth open, their necks craning farther and farther back, searching for the peak of her branches. Again and again the photographer falls to the floor turning his camera this way and that, trying every conceivable angle in a vain attempt to capture the beauty and tranquility of the scene. Every glance at the LCD screen leaves him shaking his head, hands running through his hair, than back to the forest floor for another attempt.
While the light reflects bright and harsh off the water a quarter mile away, here it is soft and green, the eyes and mind relax, and you drift to a time before anyone knew this existed. The clearing transforms and a sheet of ice replaces the trees. Creaking and groaning it moves, imperceptibly, year after year, resignedly giving way to bedrock, slate, and erratics. It drops a massive rock near the cove, an erratic that will someday be the wall of my home. Water fills the passes and straits that will become the homes of salmon and seal, humpback and herring. Grandma cedar begins to grow. When exactly is not important, what’s 100 years when we’re speaking of thousands? As she rises she sees and hears all. She sees the Namgis settle and camp. Catching salmon and seals, revering the orca and raven. There songs and fires echo and reflect off her face, the jumping light and songs drifting across what would someday be Blackney Pass. They may war with each other but they are at peace with nature. She sees the otter, the humpback, the people, obliterated, her landscape changed forever. Her kinfolk felled to make wooden tables like the one I write on now. The hypocrisy burns as I sit in a house made entirely of wood.
She sees a man in a kayak, a flute at his side, paddle into the cove at her feet. He walks to the erratic on the beach, running his hands down the cool stone, an image born in his head. A house appears, than another, yet the structures seem to melt into the forest. Wrapped in the cloak of grandma’s congregation. People come and go in the following years, nothing more than a fleeting second in her eyes. But whoever touches the shore is brought before her, to pay their respects, honor the matriarch of the forest and remember where we have come from. She changes lives without an audible word. She speaks in riddles, symbolism, and nothing more. The message you take away is the one you are looking for.
And now I stand before her, staring up at the tips of her branches that seem to reach to the heavens. Touch her trunk, feel her age, her power, a talisman of the past. Of how things were, how things can be if we allow them to. I fall to my knees, in silent worship and thanks for this place. For Muir had his glacier, Heacox has his kayak, and I have this island.